{"id":3838,"date":"2010-09-08T08:00:20","date_gmt":"2010-09-08T08:00:20","guid":{"rendered":"http:\/\/localhost\/ibon\/?p=3838"},"modified":"2010-09-08T08:00:20","modified_gmt":"2010-09-08T08:00:20","slug":"para-kay-alex","status":"publish","type":"post","link":"https:\/\/www.ibon.org\/tl\/para-kay-alex\/","title":{"rendered":"Para Kay Alex *"},"content":{"rendered":"<blockquote><p>Tribute to former IBON staff Alexander Martin Remollino, 33 | &#8220;Alex, you have to tone down for the kids,&#8221; his editor would admonish him. &#8220;Ma&#8217;am gusto kong tumula,&#8221; he would say.<\/p><\/blockquote>\n<p><em>Pinasulat kita<\/em><br \/>\n<em> ng magasing pambata<\/em><br \/>\n<em> pasimplehin mo lang &#8216;kako<\/em><br \/>\n<em> nang malaman nila<\/em><br \/>\n<em> ang ating rebolusyon,<\/em><br \/>\n<em> gawin mong dahan-dahan<\/em><br \/>\n<em> hakbang-hakbang,<\/em><br \/>\n<em> baytang-baytang<\/em><br \/>\n<em> nang matutunan nilang marating<\/em><br \/>\n<em> ang kasaysayan.<\/em><br \/>\n<em> Subalit pinili mong<\/em><br \/>\n<em> maging makata,<\/em><br \/>\n<em> at iguhit ang dusa at pasakit,<\/em><br \/>\n<em> isabog ang kulay<\/em><br \/>\n<em> ng poot at paghihimagsik,<\/em><br \/>\n<em> sumungkit ng mga pangarap<\/em><br \/>\n<em> at gawing buhay<\/em><br \/>\n<em> ang ating pakikibaka.<\/em><br \/>\n<em> Lampas man ito<\/em><br \/>\n<em> sa pang-unawa ng mga paslit,<\/em><br \/>\n<em> nag-iwan ka ng bagong henerasyon<\/em><br \/>\n<em> ng mga makata para sa bayan<\/em><br \/>\n<em> na patuloy na malikhaing<\/em><br \/>\n<em> maglalarawan<\/em><br \/>\n<em> ng ating mga hangarin.<\/em><br \/>\n<em> Di ka man nagsulat<\/em><br \/>\n<em> para sa mga bata<\/em><br \/>\n<em> nag-iwan ka ng inspirayon,<\/em><br \/>\n<em> at heto ako ngayon,<\/em><br \/>\n<em> parang bata uli, gusto kong tumula.<\/em><\/p>\n<p>Alexander Martin Remollino worked for a while with IBON Foundation. He was assigned to write journals for social studies for grade school and high school students &#8211; Sibika, Hekasi, Philippine Currents, Asian Currents, World Currents, Ekonomiks. He did not pass the evaluation. Alex did not have the pedagogy and writing style for children &#8211; he was an angry young man. &#8220;Alex, you have to tone down for the kids,&#8221; his editor would admonish him. &#8220;Ma&#8217;am gusto kong tumula,&#8221; he would say. Alex thus left IBON after six months &#8211; a mutual decision that up to this day IBON does not regret. Alex&#8217;s writing had developed so rapidly that only two years after he left IBON, when the institution launched the book &#8220;At Home in the World with Jose Ma. Sison&#8221; by Ninotchka Rosca, Alex was one of the reputable writers who gave their critical reviews.<\/p>\n<p><strong>Para sa Inyo, Mga Kasamang Kampyon ng Bayan<\/strong><br \/>\n<em>(Alay kina Alex at Ka Roda)<\/em><\/p>\n<p><em>Kung papaano kayo umanib<\/em><br \/>\n<em> Sa sanlaksang kandilang nagsaboy-liwanag,<\/em><br \/>\n<em> Kung papaano kayo nakiguhit<\/em><br \/>\n<em> Ng pagbabago na pluma ng taumbayan ang gamit,<\/em><br \/>\n<em> Kung papaano kayo naghinagpis nang tahimik<\/em><br \/>\n<em> Habang kung di nakangiti&#8217;t umaawit<\/em><br \/>\n<em> ay mithiin ng mamamayan ang buong-tapang na inuusal&#8230;<\/em><br \/>\n<em> Sa kabila ng pighati sa inyong pagpanaw,<\/em><br \/>\n<em> kami&#8217;y nagpapasalamat<\/em><br \/>\n<em> sa halimbawa, lakas at buhay na inyong ibinahagi<\/em><br \/>\n<em> na sana&#8217;y aming madugtungan ng katumbas na sigasig.<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Tribute to former IBON staff Alexander Martin Remollino, 33 | &#8220;Alex, you have to tone down for the kids,&#8221; his editor would admonish him. &#8220;Ma&#8217;am gusto kong tumula,&#8221; he would say. Pinasulat kita ng magasing pambata pasimplehin mo lang &#8216;kako nang malaman nila ang ating rebolusyon, gawin mong dahan-dahan hakbang-hakbang, baytang-baytang nang matutunan nilang marating [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3839,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_expiration-date-status":"","_expiration-date":0,"_expiration-date-type":"","_expiration-date-categories":[],"_expiration-date-options":[]},"categories":[3],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ibon.org\/tl\/wp-json\/wp\/v2\/posts\/3838"}],"collection":[{"href":"https:\/\/www.ibon.org\/tl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ibon.org\/tl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ibon.org\/tl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ibon.org\/tl\/wp-json\/wp\/v2\/comments?post=3838"}],"version-history":[{"count":0,"href":"https:\/\/www.ibon.org\/tl\/wp-json\/wp\/v2\/posts\/3838\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ibon.org\/tl\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.ibon.org\/tl\/wp-json\/wp\/v2\/media?parent=3838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ibon.org\/tl\/wp-json\/wp\/v2\/categories?post=3838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ibon.org\/tl\/wp-json\/wp\/v2\/tags?post=3838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}